Vol. 43, No. 2 (Summer 2020)

Jonathan Culler – A Different Approach to the Sublime
Arunodoy Bhattacharyya – Bacon’s Influence on Hardy: A Study of the Character and Role of Susan Henchard in The Mayor of Casterbridge
Rafe McGregor – The Logic of Adventure: Marlow’s Moral Malady in Lord Jim
Andrew J. Ball – Redemptive Mourning: Virginia Woolf’s Transformation of the Elegiac Form
Hawk Chang – From Sight to Touch: Female Identity in Brian Friel’s Molly Sweeney
Vivek Sachdeva – Narrating Terror: The Sound-Image Montage in Literature and Cinema with special reference to Gurvinder Singh’s Chauthi-Koot
Debjani Banerjee – “And Kabir Stands in the Marketplace”: Politics and Poetics in an Era of Global Strife
Pooja Mittal Biswas – The Mythifcation of History and the Historification of Myth: Myth and Mimesis in Shashi Tharoor’s The Great Indian Novel
Deepshikha Behera – Untranslatability as Resistance: A Study of Mahashweta Devi’s Draupadi

Vol. 43, No. 3 (Autumn 2020)

Special Issue on the Sublime (Guest Editor: Shouvik Narayan Hore, Vidyasagar University, India)

Vol. 43, No. 4 (Winter 2020)

Untranslatability: Theory, Practice and Politics

Vol. 44, No. 1 (Spring 2020)

Special Issue on the Philosophy of Motion Pictures (Guest Editor: Laura T Di Summa-Knoop, William Paterson University, New Jersey, USA)

Vol. 44, No. 2 (Summer 2021)

(Special Issue on “Indian Writing in English”)

Guest Editor: Arunima Ray, Lady Shri Ram College, University of Delhi, India


Asking and Answering the Sublime Question: Visions, Views, Vitalities

The Philosophy of Motion Pictures: New Trajectories

Everyday Aesthetics

Untranslatability: Theory, Practice and Politics

Indian Writing in English

Comparative Aesthetics in the Times of Contagion

Gendering Pandemic: The Impact of Covid-19 on Women

Speculating Identities and Defying Stereotypes: South Asian Women Writers and Idealistic Mobilities

Gender and Sexuality: Masculinities and Femininities